Analysis: Debussy Ondine I

As present day composition becomes less and less involved with "systems" as well as classical tonality, by which I mean scales and hierarchical transpositions, an analysis such as this becomes more of an historical artifact than a guide to something comtemporary. However, the question remains to what degree the clarity of mind that hopefully this analysis concerning Debussy demonstrates is one of the reasons his music endures. 

To enlarge each the pages, simply click on the image.

The following was a handout for an analysis class at Manhattan School of Music, hence it’s somewhat didactic nature.

Hojoon Kim

Hojoon Kim is a multifaceted creative professional with a diverse range of skills and experience in photography, video production, website design and coding, UX design, brand development, and lighting design.

Trilingual in English, Spanish, and Korean, Hojoon brings a global perspective to his work. He holds a doctorate degree from UCLA, where his dissertation explored the concept of creating a cohesive experience by mixing different mediums, showcasing his ability to think critically and innovatively about the intersection of different design disciplines. This serves as a strong foundation for his work.

As co-founder of Rocket City New Music, Hojoon is responsible for using his skills in creating visual and experiential designs to bring the concert experience together in a cohesive way. He is also a board member of Pacific Coast Rugby League, where he has demonstrated strong business skills and the ability to lead and manage projects and teams.

Hojoon's unique strength is his ability to seamlessly integrate his diverse range of design skills, making him a valuable asset on any project.

https://www.hojoonkimimages.com
Previous
Previous

A Stravinsky Harmonization

Next
Next

Analysis: Debussy Ondine II